“Oh, is my tongue blue?” Here’s what our Theatre Artistic Director and director of our production of The Witches has to say about the play… Want to see more? Get your tickets to The Witches here and for our own special interactive adaptation of the story for preschool ages, How to Spot a Witch, here!
From the Artistic Director, Reba Short:
Why would a theatre company produce The Witches anyway? The themes are dark, the images are gruesome; for goodness’ sake, there’s a chorus of witches talking about crunching children’s bones! The Grandmother in the story seems alright, but she’s smoking black cigars! How could this possibly be a children’s play? Has the Children’s Museum & Theatre of Maine lost all its good sense?!
As Theatre Artistic Director, I say not in the least! We are producing the work of Roald Dahl, hailed as one of the greatest storytellers of the 20th century. He received the World Fantasy Award for Life Achievement in 1983, and Children’s Author of the Year from the British Book Awards in 1990. The themes in Dahl’s books are so dark, they’re funny. The witches are so terrible, they’re loveable. The plots are so preposterous, they can’t be serious, and they aren’t, at all. That’s Dahl’s magic as a storyteller. He pushes the boundaries of his make-believe world to its furthest corners, and then keeps pushing. His imagination goes to dark and wild places, and he invites the young reader with him and counts on them to know what is fantasy. Today we are asking the same of you, our audience. Join us for this wild and awful annual convention of witches and know that it’s just pretend.
My favorite part of Roald Dahl’s books are his heroes. Always unlikely, they may seem weak at first. They are usually children who use courage and cleverness to become strong. In our play, it’s a small-boy-turned-mouse that receives the call to adventure. (It would be impossible to find a smaller hero!) If the witchy plot wasn’t so awful, it wouldn’t be necessary for the boy-mouse to save the children at all. This is a story that begs the audience not to take it too seriously, but to find inspiration in the acts of courage and magical ways that the even small heroes can save the world.